armistead maupin tales of the city netflix

It hasn’t courted controversy but has attracted it nonetheless. “Tales of the City” has so far endured for 43 years - first as a daily newspaper serial, then as a series of novels and a trio of television miniseries in the ’90s and beyond its newest incarnation, a Netflix limited series, arrives this month. Isherwood’s Sally Bowles was, in her own way, a sort of literary big sister to my intelligent naif Mary Ann Singleton.) It’s no accident that the trappings of that tale - the landlady, the apartment house, the straight ingénue who befriends a young gay man - can all be found in Isherwood’s “Berlin Stories.” (I had recently seen “Cabaret,” the movie based on that book, and it had worked its magic on me. My life’s work, the multivolume “ Tales of the City” series, would revolve around a group of San Franciscans - some queer, some not - who find logical family with each other under the loving eye of their transgender landlady. Much later in life, I would coin the phrase “logical family” to describe the pleasing alternative I had found to my insufficient biological one. For me, a Southerner raised on stodgy reverence for my Confederate ancestors, it offered a heritage that finally spoke to the truth to my own experience. We felt part of a sort of queer genealogy that reached into another century. Forster and had once even hidden from Garbo when she showed up unannounced at his apartment. There was time travel involved, too, since Isherwood had known Somerset Maugham and E.M. Just by sharing our stories we could discern where we were heading and where we had been.

Armistead maupin tales of the city netflix